A Bangalore home gently stitched together through Indian sensibilities & vernacular textures.
Project Name : Nostalgia
Project Location : Bangalore, India
Architect/Interior Designer : Storeyboard Design
Principal Architect/Designer : Swathy Sivaraman
Photographer: Shamanth Patil
Text Description by the Designers;
In a world increasingly shaped by aesthetic algorithms and ephemeral trends, Nostalgia offers an introspective counterpoint. Designed by Swathy Sivaraman of Storeyboard Design, this villa emerges not as a showpiece but as a soul-space — a dwelling where memory, material, and meaning intertwine with rare subtlety. Rather than chase spectacle, the design evokes a quiet emotive resonance, where every bench, fabric, and shadow tells a story handed down or tenderly reimagined.
The client’s brief was deceptively simple: a home rooted in feeling, not fashion. Modern comfort was essential with seamless automation, modular solutions, and smart spatial logic, but never at the cost of soul. Thus began the crafting of a spatial memoir, where heirloom pieces found new relevance, and sustainable materials carried emotional as much as ecological weight. The result is a lived-in legacy, gently stitched together through Indian sensibilities, vernacular textures, and curated restraint.
From the moment you enter, the architectural language announces its intent — humble, tactile, and deeply personal. The foyer does not declare luxury; it whispers lineage. A timeworn wooden bench greets the visitor not as a placeholder, but as an anchor — an invitation to slow down and inhabit the space with presence. Natural light filters through tall openings, not in theatrical shafts but in gentle washes, shaping silhouettes and sculpting silence.
At the core of the villa is the double-height dining area, a space that encapsulates the home’s design ethos. No ostentatious chandelier interrupts the tranquility. Instead, a floating glass-top dining table, its intricately carved wooden base visible beneath, serves as functional artefact, one that blurs the line between furniture and sculpture. It is not lit to impress; it is revealed, like memory.
The home’s spatial planning avoids rigid zoning in favour of organic flow. Transitional corners become meditative moments: a monochrome art print resting beside an antique console, or a piano placed not for display but for pause and reflection. In the living room, a grandfather’s table anchors the narrative. Around it, linen sofas and leather chairs form an ensemble that privileges conversation over composition. Every seat, fabric, and finish is chosen not to match, but to mean.
Upstairs, the daughter’s suite blends the youthful with the timeless. A linen-draped bed and spa-like bathroom wrapped in soft lighting strike a delicate balance between lightness and warmth. In contrast, the master suite is a tactile sanctuary where floral motifs, aged brass detailing, and ethnic carpets deepen the visual poetry, while a corner study desk recalls a quieter era when journaling was ritual, not habit. Here, nostalgia becomes not just an aesthetic but an atmosphere.
The home office, overlooking the pool, is where utility and poetics converge. A height-adjustable desk, layered rugs, curated bookshelf, and a solitary leather armchair, all create a workspace that feels more like a personal library. It is a space where the act of thinking is spatially honoured — a rare luxury in the age of perpetual motion.
Materially, Nostalgia is rooted in conscious craft. Locally sourced teakwood forms the spine of much of the joinery for dining table, stair consoles, bookshelves, etc., each piece imbued with artisanal memory. Handwoven linens, floral block prints, and jute textiles echo India’s deep textile heritage, while repurposed family furniture embeds layers of personal history. Even the modern wardrobes, finished in matte lacquered glass, are designed to recede, allowing textures and time-worn pieces to take visual precedence.
Nature, too, is not an accessory but a collaborator. The home is strategically planned to harness natural light and encourage passive cooling. Lush external greens are not framed as picturesque views but are invited in, visually and emotionally. Sheer curtains soften the threshold between interior and exterior, allowing wind, warmth, and stillness to flow unimpeded. The landscape creates a microclimate of ease — a quiet breath that echoes the home’s contemplative tone.
Even in the most utilitarian of zones, the design language remains consistent. The master bathroom, for instance, uses a single-tone Armani brown marble paired with Hansgrohe fixtures and burnished brass artefacts. The aesthetic is refined but grounded, modern but never sterile — a space that remembers.
At its core, Nostalgia doesn’t attempt to style a story. It allows one to emerge. Each wall holds memories instead of ornamentation. Artworks, collected over years of travel or inherited through generations, lean quietly against textured walls. They don’t demand attention; they extend presence.
More than a home, Nostalgia is an emotional archive, a lived manuscript written in light, wood, linen, and silence. It is not about luxury that gleams. It is about comfort that lingers. And long after you’ve stepped out, its essence follows — gentle, grounded, and deeply human.
Project Name : Nostalgia
Project Location : Bangalore, India
Architect/Interior Designer : Storeyboard Design
Principal Architect/Designer : Swathy Sivaraman
Photographer: Shamanth Patil
